Printmaking in paradise Skopelos, Greece

I have wanted to do a workshop with Dianne Fogwell since I saw her exhibition, Prescience, at the Geelong Gallery in 2022. I could not believe my luck when I discovered that Susan Baran had invited Dianne to teach a workshop in Skopelos a week after David Frazer’s workshop, which I was already booked to attend. I enrolled straight away. That led to a wonderful month on Skopelos.

The workshop was called Colour in Relief. Dianne showed us how she works through colour as she approaches and understands it. There are many ways to achieve colour in printmaking, and in the masterclass section of the workshop, Dianne took us through a journey of methods. We looked at the matrix, single and multiple blocks, reduction, stencil, applied colour and various techniques of application. Dianne also worked through ways of printing from the press to the table, covering ideas from both Western and Eastern approaches to colour and various methods of registration.

Dianne showed us the inks she uses in colour printing, along with other materials, and also how paper changes the relationship to the process and the image. I learnt a great deal over the 10-day workshop. Dianne was very knowledgeable, very open and creative. I created some test prints at the end of the workshop, but I really need to experiment a lot more to truly understand Dianne’s process. It has opened up a lot of possibilities for me.

Linocut, hooded crows, colour linocuts, Dianne Fogwell

South West Printmakers exhibition – Time

In June and July this year I exhibitied with the South West Prinmakers at the F Project Gallery in Warrnambool. The exhibition was on the theme “Time”. I had two works in it and they both sold. Very exciting.

My works were about the mouth of the Hopkins River in Warrnambool. I have for a long time enjoyed walking at the Mouth of the Hopkins River. It is calming, refreshing and great exercise. The mouth of the river, the final point of a rivers’ journey, where the calm waters of the river merge with the tumultuous sea. Here I have enjoyed watching the whales, the birds and the animals congregate and the eels migrate. I am so lucky to live so close.

An Estuary Stroll for an Echidna. Linocut on Arches Paper

An Estuary Stroll,multiple linocuts sewn together onto arches paper

Where the River Meets the Sea, multiple linocuts sewn together onto arches paper

Renewal Exhibition at the F Project in Warrnambool

In August 2024 I exhibited in a group show with the South West Printmakers. The exhibition was themed ‘renewal’.

Renewal – an instance of resuming something after an interruption.

I focused on this meaning of renewal with my artist book, Our Blackbird Family. When I underwent chemotherapy and radiation for my Stage 4 lung cancer, I suffered badly from “chemo fog.” I could not think clearly, work out how to make things, develop ideas, or compose complex drawings. I was scared for a while that it would be permanent.

Artist books became one of the tools I used to get my brain working again; the other was embroidery. These activities helped me regain my confidence. I had to think about the story, the images, the structure of the book, and then create it. I completed bookbinding tutorials online and made dummy books to practice.

Time is also a factor. The binding method I chose for this book, the Blizzard Fold, is a technique I tried a year ago and could not figure out. This year, I completed it. Using this technique for this book is a celebration for me that my brain is getting better.

When I was told I was terminal during COVID my world became my family and home. So I looked close to home for the idea. The book’s subject matter is inspired by the blackbird family that comes back each year to rear their babies under the eaves of our outdoor room. It has given our family immense pleasure to watch the babies emerge from their shells, grow up, and leave the nest—just like my children are doing.

Artist Book: Our Blackbird Family

Illustrated Linocuts on Archers Paper with Blizzard Fold.

Our Blackbird Family – Artist Book

I have been creating an artist book about the Blackbird Family that shares our house. They have babies every year. Watching the eggs hatch and the babies grow has been a delight for our family.

I am nearly finished. The 13 lino images have been cut and printed. Now I need to bind them. I will use the Blizzard Binding method to create 3 artists’ books. I have also created three box sets. I will show you the finished product when completed.

Warrnambool Botanical Gardens print

I am back! After a two-year break. I have been battling stage 4 Lung Cancer and bone cancer. The treatments made my head foggy and it was hard to create anything worthwhile for a long time. I am happy to say I am back in the studio, enjoying myself greatly and creating again. Here is my first print off the press this year.

This print is of the Garden Manager House in the Warrnambool Botanical Gardens. I was renting this house when I met my husband. So it has personal significance for our family.

Videos of my printmaking process

A few years ago I had several videoograhpers create videos about myself, my art and printmaking processes.

This is a video that Jack Wilkins created in his Warrnambool Art Interview Collection in September, 2016.

Adam Merritt made this video of me working in my studio. He did a fabulous job. I have just uploaded it to Youtube.

The video goes through a little of my history and it shows my creative process. What interests me creatively. It shows me going through the linocutting printmaking process from the initial idea to the final print.